My mixing philosophy is this; there is usually an initial intent for the record being made, and it’s crucial not to lose sight of it in the mix. These days, his clients are often the artists themselves. Giving them the record they envision is a huge challenge, but with open communication and everyone doing what they do best, a great record can be brought to fruition.
20 years experience working in mastering houses throughout the US. 10 years developing a dedicated mastering environment and mastering techniques. Six studio monitoring systems from Genelec to Radio Shack Minimus 7s. Utilizing a combination of analog and digital gear. Neve, Shadow Hills, Massenburg, ATR 102, and mastering software.
I prefer to mix alone, sending drafts to the artists for their input on the next draft. There are times, however, when getting on the same page requires sitting down together, and I honor that. I operate from several professional mixing environments, allowing me the flexibility to achieve perspective and objectivity, two crucial ingredients for a solid mix.